Meredith Sellers (b. 1988, Baltimore, MD) is an artist and writer living and working in Philadelphia.
She holds a BFA
from the Maryland Institute College of Art and an MFA from the University of
Conflating the centuries-old concept of the painting as a window with the infinite windows of the digital screen, her works utilize images appropriated from stock photography, digital advertisements, art history, and news media to examine systems of power and violence. Sellers has exhibited at Workplace (London, UK),Fragment (NY, NY), Take It Easy (Atlanta, GA), Rosenwald-Wolf Gallery at UArts,Pressure Club,Vox Populi, and ICA Philadelphia (Phila, PA), among others. Her work has been featured in Art Papers,Maake Magazine, and White Column’s Curated Artist Registry. Curatorial projects include Chewing the Scenery at Crane Arts, The Midnight Sun at Pilot Projects (both co-curated with Jonathan Santoro), and Edith at Esther Klein Gallery. She is an editor for Philadelphia-based online art publication Title Magazine; her writing has appeared in publications including Hyperallergic, The Philadelphia Inquirer, ICA Philadelphia’s Notes, Pelican Bomb, and American Craft Magazine.